One of many seventeenth-century masters of the oil technique was Diego Velázquez, a Spanish painter in the Venetian tradition, whose highly economical but informative brushstrokes have regularly been emulated, especially in portraiture. The standard assist for oil painting is a canvas manufactured from pure European linen of robust close weave. Linen canvas, after an extended period of improvement, replaced picket panels as the preferred assist. The painting knife-a finely tempered, thin, limber model of the artist’s palette knife-is a convenient device for applying oil colours in a robust manner. When a extra flowing or cell quality is required by the artist, a liquid painting medium resembling pure gum turpentine must be blended with it. But in Europe, oil as a painting medium is recorded solely as early as the eleventh century. At first, oil paints and varnishes have been used to glaze tempera panels, painted with their conventional linear draftsmanship.

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